Visualizing ethnic pride in British Caribbean art, 1920–1955
By Tony Thompson, 2021
Fellow’s Profile
Tony Thompson
Fellow’s Profile
Tony Thompson
Visualising ethnic pride in British Caribbean art, 1920–1955
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October 2024 Fellows' update: Tony Thompson
Tony Thompson (CF 2012) hosted a screening of TURNING POINT at London’s Riverside Studios on 19th October, featuring four short stories from Barbados and Jamaica in 1920, followed by a Q&A session he led as the writer and director. The touring programme will continue in London until the end of 2025.
By Tony Thompson, 2024
Turning point - a Black History exhibition
By Tony Thompson, 2023
December 2022 Fellow's update: Tony Thompson
Documentary maker Tony Thompson (CF 2012) has created an exhibition called Turning Point, a series of four short films inspired by oral histories about the Black Caribbean experience after the First World War.
By Tony Thompson, 2023
Disclaimer
All Reports are copyright © the author. The moral right of the author has been asserted. The views and opinions expressed by any Fellow are those of the Fellow and not of the Churchill Fellowship or its partners, which have no responsibility or liability for any part of them.
Ideas
Visualizing ethnic pride in British Caribbean art, 1920–1955
By Tony Thompson, 2021
Activity
October 2024 Fellows' update: Tony Thompson
Tony Thompson (CF 2012) hosted a screening of TURNING POINT at London’s Riverside Studios on 19th October, featuring four short stories from Barbados and Jamaica in 1920, followed by a Q&A session he led as the writer and director. The touring programme will continue in London until the end of 2025.
By Tony Thompson, 2024
Turning point - a Black History exhibition
By Tony Thompson, 2023
December 2022 Fellow's update: Tony Thompson
Documentary maker Tony Thompson (CF 2012) has created an exhibition called Turning Point, a series of four short films inspired by oral histories about the Black Caribbean experience after the First World War.
By Tony Thompson, 2023
Disclaimer
All Reports are copyright © the author. The moral right of the author has been asserted. The views and opinions expressed by any Fellow are those of the Fellow and not of the Churchill Fellowship or its partners, which have no responsibility or liability for any part of them.
